Each song's eq might appear ideal by itself, however if you sequence them together, unexpectedly one tune sounds too brilliant (or too dull ...). Adjusting the eq can even whatever out. Idea # 1: keep in mind that any eq changes to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to inspect how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Pointer # 2: if you're uncertain about an eq decision throughout mixdown, know that it's easier to cut lower frequencies in mastering than to enhance them, and simpler to increase higher frequencies than to cut them. Compression: In mastering, this is utilized not just to control a mix or to include character, but likewise to "print" or send out as much level to the master as possible without clipping the signal. This can practically feel like a competitors for who has the loudest cd (" my record sounded fantastic until I listened on my CD carousel and Green Day was 5 db louder!"). However mastering engineers must stabilize level with sonic stability. Levels: Ideally, a listener can play your record and not need to get up to adjust the volume. This is resolved in mastering, after the record has actually been sequenced. Just then can you truly understand how levels associate with each other as one song ends and the next starts.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one must approach the spaces put in between songs on a record. Final suggestion: you might be inclined to master the same recordings that you blended, whether it is for monetary factors, creative factors, or simply because you can. We strongly suggest that you get someone else to master your task.
Typical areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing between songs. Or you may have ten Free Type Instrumentals Trap tunes blended by 3 various engineers in 5 various studios.
Each tune's eq might seem perfect by itself, but if you sequence them together, all of a sudden one tune sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq modifications to your stereo mix impact the whole mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, remember to examine how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not just to manage a mix or to include character, however also to "print" or send as much level to the master as possible without clipping the signal.
